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Mathematics is dimension, ratio, and symbol.
In this Autumn 2003 issue, the Nexus Network
Journal presents various examinations of the
different approaches to the use mathematics as
a basis for design. What I found particularly
interesting about the four research papers in
this issue is that they make clear that, although
methods and motives differ, fundamental relationships
of architecture and mathematics remain pertinent,
regardless of whether the architect was born and
trained in Italy (Palladio, Serlio), the United
States (Thomas Jefferson, Walter Burley Griffin
and Marion Mahony Griffin), or Austria (Rudolf
Schindler), and whether he or she worked in the
sixteenth, eighteenth or twentieth centuries.
Contents
Kim Williams.
Letter from the Editor
Research
Rachel Fletcher. An American Vision of Harmony: Geometric Proportions
in Thomas Jefferson's Rotunda at the University
of Virginia
Lionel March. Rudolph M. Schindler: Space Reference Frame, Modular
Coordination and the 'Row'
Jin-Ho Park. Rudolph M. Schindler: Proportion, Scale and the 'Row'
Graham Pont. The Cinema as Secular Temple: Ethos, Form and Symbolism
of the Capitol Theatre
Didactics
Igor M. Verner
and Sarah Maor. The Effect of Integrating Design Problems on Learning
Mathematics in an Architecture College
The
Geometer's Angle
Mark A. Reynolds. Geometer's Angle no. 10: The Unknown Modulor:
the "2.058" Rectangle
Book
Reviews
John Sharp. Westminster Abbey: The Cosmati Pavements by Lindy Grant
and Richard Mortimer (eds.)
Kim Williams. Cosmatesque Ornament: Flat Polychrome Geometric Patterns
in Architecture by Paloma Pajares-Ayuela
Vera W. de Spinadel. Fragments of Infinity: A Kaleidoscope of Math and Art
by Ivars Peterson
David Reid. M. C. Escher's legacy: A centennial celebration by Doris
Schattschneider and Michele Emmer (eds.)
Conference
Report
George Hart. ISAMA-Bridges 2003
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