International Symposium
Guarino Guarini's Chapel of the Holy Shroud in Turin:
Open Questions, Possible Solutions
18-19 September 2006

Sala Conferenze, Archivio di Stato di Torino
Piazza Castello, 209 - Turin, Italy

 
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The rays of the stars of the cupola after the fire

Purpose. Occasioned by the complicated process of restoring Guarini's masterpiece, the Chapel of the Holy Shroud in Turin, devastated by fire in April 1997, the aim of the workshop is to shed light on the ideological and technical aspects of Guarino Guarini that are hitherto little understood; to understand how Guarini's background as religious and philosopher are expressed in his architecture, and the processes of design and construction through which his concepts are rendered concrete. Invited participants are a mix of international and local scholars of various aspects of Guarini.

Symposium on Guarino Guarini and the Chapel of the Holy Shroud. In May 2004 Kim Williams interviewed architect Mirella Macera, engineer Paolo Napoli and architect Fernando Delmastro on the problems and progress of restoring Guarino Guarini's masterpiece, the Chapel of the Holy Shroud of Turin, which was heavily damaged by a fire that broke out on the night of April 11, 1997. Originally the purpose of the interview, published in the Nexus Network Journal's Autumn 2004 (vol. 6 no. 2) issue was to learn if the restoration project will shed light on Guarini's blend of geometry and architecture. However, it soon became clear that questions raised by the restoration outnumbered the solutions.

Click here to read the interview by Kim Williams with Mirella Macera, Fernando Delmastro and Paolo Napoli in the NNJ

The fire of April 1997 that devastated Guarini's Chapel of the Shroud

A restoration of this kind is unprecedented. What burned was the scaffolding used during a cleaning and restoration that had just been completed. Structural damage to the Chapel was immediately tended to and collapse prevented; the Chapel is now self-supporting and all its elements are intact. However, all of the interior surfaces were devastated by the heat of the fire and the variation in temperature caused by the water used to put out the fire. Effectively the Chapel is like a face that has lost its features: the heat caused the stone to change color, and the surface of the stone to pop and flake off, and practically all of the sculpted decoration of the surfaces has been lost.

So very little is known about how Guarini designed the chapel, how he instructed the workers during its execution, and precisely in what the structural system consists, that the restoration itself has gone forward at a snail's pace. For instance, all of the elements in the Chapel that are apparently structural are not, and the actual structure is hidden behind the stone veneer so that it remains largely unknown. It is not known how the stones of the surfaces are attached either to the structure behind them or to one another, so that it is unclear whether the removal of individual stones will provoke a collapse.

The pendentive zone with its sculpted decoration in perspective before the fire

Restoration drawing of the pendentive zone after the fire

While Guarini apparently used the science of stereotomy to design and execute the individual blocks of stones precisely cut to shape to form the curved surfaces, the sculpted decoration of this surfaces then follows an entirely different order, being itself carved according to a perspective construction. There is no standardization whatsoever of the blocks, in that each block has its own curvature as well as its own bit of the sculpted decoration in perspective, and yet all fit together with a surprising precision. This is evidence of Guarini's superb skill, but does not solve the mystery of exactly how the construction was accomplished. If Guarini's design and execution processes are not understood, the restoration cannot proceed with any guarantee of respecting his original intentions.

Guarini himself remains a little-studied figure. This may be because Guarini himself was so multifaceted. He was a theologian and religious (a Theatine), a mathematician, a philosopher, and an architect. His treatises include works on philosophy (Placita philosophica, 1665); mathematics (Euclides adauctus et methodicus mathematicaeque universalis, 1671); architecture (Modo di misurare le fabriche, 1674; Trattato di fortificazione che hora usa in Fiandra, Francia et Italia, 1676, and Dissegni d'architettura civile ed ecclesiastica, 1686); cosmology (Compendio della sfera celeste, 1675; Leges temporum et planetarum, 1678; Coelestis mathematicae, 1683). Hardly anything he wrote was less than 500-600 pages, and most is in Latin and remains untranslated into modern Italian or English.

Guarini in his own day was little understood. The complexity of his architecture far exceeds that of those who came after him, such as Juvarra and Vittolini. The focused approach of the planned workshop will permit us to shed light on the various aspects of his thinking, making his written treatises more accessible and his built work more comprehensible. If there is a silver lining to the cloud of the fire of April 1997, it is that for the first time scholars will be able examine Guarini's architecture through its dissection, as it were, as the restoration exposes the bare bones of the structure for the first time, revealing hitherto unknown information about both the creator and the creation.

Directors:
Kim WILLIAMS
Franco PASTRONE

Scientific Committee
Alberto CONTE
Franco PASTRONE
Clara Silvia ROERO
Kim WILLIAMS

Program

[Click here to download the program in .pdf]

Lunedì 18 settembre 2006

9.00 Apertura dei lavori e saluti delle autorità

Introduzione al lavoro del restauro della Cappella della Sindone

9.30 Mirella MACERA, coordinatrice dei restauri della, Soprintendenza per i Beni Architettonici e per il Paesaggio del Piemonte, Torino

10.00 Coffee break

Guarini e le strutture
10.30 Paolo NAPOLI, Politecnico di Torino
"Modellazione strutturale della Cappella della Sindone"

11.00 Patricia RADELET DE GRAVE, Université Catholique de Louvain
"Guarini et la structure de l'univers"

11.30 Santiago HUERTA, Escuela Técnica Superior de Arquitectura de Madrid
"The structure of the dome of the Santa Sindone"

12.30 Discussione

13.30 Intervallo pranzo

Guarini e la matematica
15.00 Clara Silvia ROERO, Università di Torino
"Guarino Guarini e la matematica universale"

15.30 Michele SBACCHI, Università di Palermo
"Proiettare e progettare"

16.00 Paolo FREGUGLIA, Università degli dell'Aquila
"Alcune considerazioni sul rapporto tra prospettiva e geometria nel XVI e XVII secolo"

16.30 Coffee break

17.00 Joël SAKAROVITCH, Université Paris V
"Géométrie pratique / géométrie savante"

17.30 James MCQUILLAN, University of Botswana
"Guarino Guarini and his Grand Philosophy of Sapientia and Mathematics"

18.00 Anastasia CAVAGNA e Michele MAORET, Membri della Società Italiana di Storia delle Matematiche
"Le coniche nell'Euclides adauctus di Guarini"

Martedì 19 settembre 2006

Guarini e l'architettura
9.00 Elwin ROBISON, Kent State University
"Costruzione e Restauro nel mondo magico di Guarino Guarini"

9.30 Pietro TOTARO, Università di Messina
"Guarinian factor(s) on Sicilian Baroque"

10.00 Nicoletta MARCONI, Università di Roma Tor Vergata
"Le fabbriche guariniane e la pratica edilizia romana in età barocca: convergenze e derivazioni"

10.30 Coffee break

11.00 Vasileios NTOVROS, Aristotle University of Thessaloniki
"Unfolding San Lorenzo"

11.30 Ugo QUARELLO, Architetto, Torino
"Gli inediti disegni esecutivi dei restauri ottocenteschi all doppia struttura della Real Chiesa di San Lorenzo di Torino"

12.00 Discussione finale

13.00-14.00 Visione di disegni originali relativa alla chiesa di San Lorenzo presso l'Archivio di Stato di Torino

14.00 Intervallo pranzo

16.30 Guided tour of S. Lorenzo


This symposium is made possible through the generous support of:
  • Associazione Subalpina Mathesis, Torino
  • Assessorato alla cultura del Comune di Vigliano Biellese
  • Dipartimento di matematica, Università di Torino
  • Assessorato all Cultura della Regione Piemonte
  • Kim Williams Books

Under the patronage of
Archivio di Stato di Torino
Direzione per i beni culturale e paesaggistici del Piemonte

For more information, contact:
Kim Williams

All Content © 2003 Kim Williams Books

Kim Williams Books, Via Cavour, 8 - 10123 - Turin (Torino) - Italy
T. +39 011 1978 1845 - kwb (at) kimwilliamsbooks.com